Jai Ho Rahman, the new national hero

When i was growing up in my teens, there was only one thing world class in our country - Sachin Tendulkar. Years later, now, we have another to boast about - AR Rahman.

The music of "Slumdog .." is not Rahman's best but with its cosmopolitan and diverse compositions, it aptly sums up Rahman's kind of music. While his music summed up his worldview that celebrates diversity, his words on the Oscar night were a flash from his spirituality and beliefs. Rahman's message about 'choosing love' is apt in a world torn by terror. Is it not symbolic enough that a Muslim conveys that message on the stage of West's biggest entertainment night? It is an irony that when the most vociferous of Muslims worldwide are cultivating a hate for anything American, two Indian Muslims embrace their Oscars and flaunt them. Talk about Indian pragmatism!

And now after the Oscars, Rahman would obviously get more busy with the western productions and we Rahmaniacs should be prepared to hear less of him (Unless, of course, we Indians produce movies with universal tales, which is highly unlikely in next few years). That is the way to go. Jai Ho.

AR Rahman: On his way to a Double Oscar?

Will he win both the Oscars? There is a very good chance he will. If he does, he would be emulating Howard Shore. In 2003, Howard Shore won 2 Oscars, one for the Best original score and the other for Best Original Song for the movies 'The Lord of the Rings: The Return of the King'. As the Oscar weekend arrives, interest is understandable high in India for the nominations of AR Rahman, Gulzar and Rasool Pookutty. Especially AR Rahman -'The Mozart of Madras' as the TIME magazine called him, has a very good chance of achieving what Pandit Ravi Shankar couldn't in 1982 for 'Gandhi'. Pt.Ravi Shankar was then nominated for Best Original Score.

He is expected to at least win the Oscar for 'Best Original Score' hands down. In fact, he has an unfair advantage with 'Slumdog Millionaire', which is shaped on the lines of a Mumbai-made Hindi film, where the music is as important as the imagery and the narrative. “We wanted it edgy, upfront. Danny [Boyle, who directed] wanted it loud,” says Rahman about the score. So his soundtrack occupies the central space and propels 'Slumdog..' with its zing and grandeur. Music in Other Hollywood nominations, obviously, do not serve that kind of impact. It is difficult to imagine how 'Slumdog..' would have shaped without that kind of score. He won the Oscar for the score at every major film festival in past few weeks, including the Golden Globe, BAFTA and the Critics Choice Awards in LA.

Now this brings us to his Double nominations in the Song category for the songs 'O Saya..' and 'Jai Ho..'. The other sole nomination is from “Down to Earth” from 'WALL-E'. Rahman, in addition to the 2 nominations, has an advantage here too. The Academy has always shown a tendency of shying away from awarding tracks relegated to a film’s closing credits. They believe these kind of songs are mainly tools to market the movie and the movie wouldn't suffer without the song. In other words, the academy looks not just at the merit of a tune but also how vital the tune is within the narrative of the movie. The Peter Gabriel's song from 'WALL-E' plays over the closing credits. So Rahman is undeniably the favourite and my favourite is 'O Saya..' which amidst all slum poverty brings out the joie de vivre of Jamal and Salim in 'Slumdog..'. However, it is also to be noted that the WALL-E song won the Grammy last week. But then 'Slumdog..' was not in fray. The Golden Globe was won by "The Wrestler" by Bruce Springsteen from the movie 'The Wrestler', which to the shock of many of the fans of 'The Boss', is not even nominated for the Oscar. But then, this song too plays over the closing credits.
The nominations show that the Academy is nodding to a world beyond Hollywood. That fits in well when they have a president in White House with Kenyan ancestry. It would be a great thing for Indian music. And considering that 'slumdog..' is not exactly Rahman's best when you think about what he dished out last year in 'Jodha Akbar' or the 'Delhi 6' stuff that's ruling airwaves these days, we can be sure many more young musicians would be ready to work hard and experiment with the many sounds - Western classical, Indian classical, jazz, opera, sufi, folk, African beats, Arabian sounds, reggae, hip-hop, rap, rock, pop, blues etc. Rahman has been fervently doing all this especially the last couple of years.

Indians who won Oscar earlier -
Bhanu Athaiya, shared the Oscar with John Mollo for "Costume Design" (1982) for the film "Gandhi".
Vanita Rangaraju-Ramanan, was credited with an Oscar in the "Technical - Lighting" category for the animation film "Shrek" (2002).
Satyajit Ray, won the Lifetime Achievement Special Oscar (1992).

There could be others of Indian origin in technical crew in Hollywood productions who won an Oscar. Starting this edition, we many not have search on the net for our winners :)