Pablo Picasso and MF Hussain were the 2 artists specially invited for the famous Sao Paulo Biennial art exhibition in Brazil way back in 1971. Picasso's above quote fits just right in the
present context when a stupid controversy (and a few physical attacks) over Hussain's paintings forced the esteemed and gifted artist into self-exile out of India and to hop around the world - Dubai, London and now into Qatar! Now that he took the citizenship of Qatar, the decade old controversy resurfaced. And the debate is on the lines of Free expression Vs Hurting Hindu sentiments. Arguments in favour of 'respecting Hindu sentiments' say Hussain is 'crossing the limits'. Some even go to the extent of accusing him 'sexually depraved'! Those who support Hussain argue that Hindu culture has a rich tradition of nudity and refer Khajurahos and Kumarasambhavas. Before debating, let us have a look at what the issue is in the first place.What are the 'nudes' we are talking about and what is so 'depraving' about them? Here are some paintings being interpreted.
All the paintings depict Saraswati, Durga and Sita in only contours, not with detailed physical features. The intent seem to be to convey an idea through the outlines rather than to be sexually explicit with physical details. If the intent were to do sexual paintings of Hindu goddesses (which the Hussian critics argue as blasphemous - this is a different debate altogether), there would have been far more distinguishing features rather than dark outlines. You don't need to be an art expert to know that.
Let us briefly examine the contribution of these outlines to the
content here. The painting depicting Sita and Hanuman, we are told is blasphemy as it implies a sexual relation between the two. The painting, if seen for what it is, instead conveys Vayuputra Hanuman's loyalty and tremendous strength through his flight across the skies and over the seas (see how his feet disappear into Vayu). The painting of Durga similarly conveys an idea of shakti (ferocity) and roudram (wrath) by using the image of tiger which is incidentally her vahana. The painting of Saraswati illustrates the goddess of arts and consciousness in the aura she exudes - the veena, the peacock, the fish, the lotus and her flowing hair. Where is 'nudity' here and what is 'depraving'? In each of these paintings, MF Hussain is conveying the very essence of these deities because he is an artist and not a lithographer or printer who reproduces old photographs!Coming back to the discussion of nudity, I wouldn't get into the discussion of how Hindu
deities themselves are represented in our temples and historic places or if there is this concept of nudity in ancient Hindu culture. This would be a diversionary and unrelated discussion and is a huge injustice to MF Hussain's own contribution to representing Hindu iconography with such a deep understanding and affection. Far from being obscene, I see MF Hussain as the vital connect in transferring the Hindu iconography from a traditional, unimaginative one dimensional form to an abstract and stylistic expression, fully tapping into the mythology. So the big debate in MF Hussain issue is not about freedom of expression but about the truth in the accusations that he 'insulted' the Hindu culture. Did he indeed insult Hindu culture or at least have an intent to do so? We can only answer that if we follow Picasso by being neither innocent nor ignorant.
